It’s no surprise why Wig-Wag Dog Grooming is a favorite of San Juan Capistrano residents. Is it because groomer and owner Liana Brown and her team make absolutely sure that your dog is the only star of the show while its being groomed? Perhaps. Is it because Wig-Wag offers a variety of types and techniques that many other groomers do not? Very likely.
“We offer Japanese grooming styles, which is so much fun for us, the pet, and the owner!” says Liana. “Japanese grooming styles focuses on the cute-factor of the dog, so we can get pretty creative. It’s a great idea for senior dogs, and we recommend if they get a Japanese style they come in every 8 weeks as opposed to 4-6 weeks with regular grooming. It’s been fun to see people’s reactions to the adorable transformation.
Liana adds that another popular technique employed at Wig-Wag is called “carding” for sporting breeds and terriers. The benefit of carding results in a polished, natural look for your pet. It might mean more time and concentration on the part of Wig-Wag’s expert staff, but they says it’s a service absolutely worth your time.
“One of the most exciting and interesting aspects about carding is that it removes the dead undercoat, and the result is a beautiful shine,” says Liana. The fur doesn’t mat, whereas it can when it’s only been clipped. You know, there are so many super talented groomers who are well known for speedy service, but that’s not what we do. We will always offer the traditional styles of grooming, but for those pet owners who are looking for more, we’re happy to showcase our new talents! We think it’s imperative to stay on top of trends and looks for pets.”
Connect with Liana by calling (949) 291-8799. Wig Wag Dog Grooming is located at 32432 Alipaz St. In San Juan Capistrano.
The term “fast-casual” was apparently coined by Paul Barron in the late 1990’s. The creator of FastCasual.com, Mr. Barron’s claim to the phrase has been disputed, but the terminology certainly stuck. Restaurants have popped up all over the nation in the last twenty years that set claim to the phrase, and serve up a similar experience: moderately priced meals, self-service or limited service format, and made-to-order food with more flavors than your neighborhood McDonald’s or Taco Bell. With 33 stores in Colorado (and 3 under construction), six stores in Phoenix, three in Dallas/Ft. Worth and now three in California (Laguna Niguel, Riverside and Rancho Cucamonga), Tokyo Joe’s is no stranger to the craze of fast-casual. But they’re elevating the concept to an entirely new level.
Their first location in the Golden State is just down the 73 in Laguna Niguel (just off the Greenfield exit in the center across the street from the Regency Director’s Cut theater) introduces a new type of health food: from starters to make-your-own sushi and poke bowls. Always made fresh-to-order, using the best ingredients possible, the crew at Tokyo Joe’s abstains from adding trans fats, MSG, and preservatives into your dishes. Clean, fast cuisine seems like an oxymoron. Surely, in the age of fried everything, when even a salad has some additive thrown in for good measure. Not Tokyo Joe’s.
Offering vegan, non-GMO, and gluten free options, Tokyo Joe’s is on track to be one of the first fast-casual chains to offer real, healthy food at a really quick pace. Potstickers, chicken skewers with green onions and the house peanut sauce, or event the MoJOE Bowl: dark chicken sauteed with pineapple, egg, carrots, sweet onions, red pepper, in a sweet and spicy sauce, on a bed of steamed rice. At some of their locations they even offer Meal Plans, based off the advice of real trainers and coaches. Protein controlled meals for athletes (or anyone fitness minded) that offer balanced alternatives to the smoothies, supplements and shakes out there formulated with synthetic ingredients most everyone has trouble pronouncing. Kids meals arrive as a fun bento box with your little one’s choice of protein, rice, edamame or veggie mix, and mandarin oranges.
Had a quick fix at Tokyo Joe’s and can’t wait to go back for more? Receive a free starter just for registering for the Tokyo Joe’s Addict Club. A free entree on your half birthday, specials, and one point for every dollar you spend at the restaurant. Every 150 points gets you a free entree. And 150 points adds up fast, when Tokyo Joe’s becomes your favorite way to do fast-casual.
Tokyo Joe’s is located at 27981 Greenfield Drive in Laguna Niguel. For info, call (949) 427-4240 or visit www.tokyojoes.com
Capital Bank, a division of Seacoast Commerce Bank, a wholly-owned subsidiary of Seacoast Commerce Banc Holdings wecolmes Donald L. Solsby as Senior Vice President and Orange County regional commercial banking manager. Mr. Solsby is a 40+ year financial services veteran with an extensive background in all aspects of banking including business development, commercial lending, middle-market banking, and executive management, for several Orange County banks.
“We are extremely honored and excited to have Don join us at our Capital Bank division,” says Richard M. Sanborn, President and Chief Executive Officer. “He is an accomplished senior banking executive with a proven track record of getting results. His strengths in team building, attracting top talent, developing new business, managing key relationships, and representing the company in the community are second to none. There is no better banker to have on your team than Don and we are fortunate to have him with us.”
Mr. Solsby is a member and former Treasurer of the Newport Harbor Yacht Club, and is Treasurer and Board Member of the Cystinosis Research Foundation. Past affiliations include the Orange County Boy Scouts of America Council; The Executive Committee (TEC); former Board President and Treasurer of the Orange County Council on Aging, California Bankers Association, and a founding member of the Pacific Club in Newport Beach.
About Seacoast Commerce Banc Holdings: Seacoast Commerce Banc Holdings is a bank holding company with one wholly-owned banking subsidiary, Seacoast Commerce Bank, which includes Capital Bank, a division of Seacoast Commerce Bank. Both the holding company and the bank are headquartered in San Diego, California, with the Bank having full-service banking branches in Encinitas, National City, San Diego and San Juan Capistrano, California, and loan production offices in San Diego, Orange County, Los Angeles, Sacramento and San Ramon, California; Phoenix, Arizona; Denver, Colorado; Portland, Oregon; Las Vegas, Nevada; Austin, Dallas and Houston, Texas; and Bellevue, Washington.
February 3, 2018 in Segerstrom Hall
Segerstrom Center for the Arts welcomes Tony Award® and Emmy-winning performer Kristin Chenoweth for one-night-only on Saturday, February 3 at 7:30 p.m. in Segerstrom Hall.
The renowned actress and singer will perform a collection of beloved songs from stage, film, and her most recent release The Art of Elegance, her first album of American Songbook classics. The album debuted at #1 on Billboard’s Current Jazz and Traditional Jazz charts, and #1 on Amazon’s Vocal Pop chart. Chenoweth also returned to the stage in her limited engagement MY LOVE LETTER TO BROADWAY, at the Lunt-Fontanne Theatre, receiving rave reviews. In 2015, Chenoweth earned a Drama Desk Award, Outer Critics Circle Award and Broadway.com Audience Choice Award for her lead role in Roundabout Theatre Company’s On the Twentieth Century, again receiving rave reviews. She also received nominations for a Tony Award in the category Best Performance by an Actress in a Leading Role in a Musical and a Drama League Award.
Tickets for Kristin Chenoweth start at $59 and go on sale Sunday, September 10 at 10 a.m. and will be available online at SCFTA.org, at the Box Office at 600 Town Center Drive in Costa Mesa or by calling (714) 556-2787. For inquiries about group ticket savings for 10 or more, please call the Group Services office at (714) 755-0236.
Sunday, March 4, 2018 in Samueli Theater
Segerstrom Center for the Arts welcomes the Center debut performance of the acclaimed Ebène Quartet on March 4, 2018 at 2:00pm. Since coming to international attention after winning first prize at the ARD Music Competition in 2004, the Ebène Quartet has been thrilling audiences and critics with their superb renditions of classical favorites and arrangements of popular and jazz works.
What began as a distraction in university practice rooms has resulted in one of today’s most praised classical ensembles, renowned for its unique style and fresh approach to the chamber repertoire. The Ebène Quartet won the 2009 Gramophone Awards for both Recording of the Year and Chamber music. Quartet members include Pierre Colombet and Gabriel Le Magadure, violins; Marie Chilemme, viola; and Raphaël Merlin, violoncello.
Single tickets start at $29 and are available online at www.SCFTA.org, at the Box Office at 600 Town Center Drive in Costa Mesa or by calling (714) 556-2787. For inquiries about group ticket savings for 10 or more, call the Group Services office at (714) 755-0236.
Winter Wonderfest Offers Kids the Chance to Learn About the Science of Snow with Interactive Exhibits Featuring Real Snow
WHAT: Discovery Cube in Orange County is hosting their annual Winter Wonderfest, beginning December 16-17, 2017 for the opening weekend and open daily from December 22, 2017 through January 7, 2018. This snowstorm of thrills and excitement will offer kids the opportunity to experience a lesson in physics, insulation and how snow is formed through hands-on activities. The holiday exhibit will include sliding down a 75-foot long ramp on inner tubes, a snow play area and real snow sledding. Kids will be provided with tools to play with the snow and build snow castles, snowmen, snow angels, “snow meets science” learning stations and all kinds of other frosty creations. Winter Wonderfest creates an entertaining way to approach education through a day of family bonding during the holiday season.
WHEN: Saturday, December 16, 2017 through Sunday, December 17, 2017 and December 22, 2017 through January 7, 2018 from 10 a.m. to 5 p.m.(Open daily except December 18-21, and Christmas Day)
WHERE: Discovery Cube Orange County Campus: 2500 N Main St, Santa Ana
For more information, call (866) 552-CUBE (2823) or visit discoverycube.org.
Free Performances, Events, Music and Family-Friendly Activities Marked Day-Long Celebration
Segerstrom Center for the Arts opened its new Julianne and George Argyros Plaza and Center for Dance and Innovation on Saturday, October 28 with music, dancing, performances, family activities, bands and more from 11 a.m. until 10 p.m. More than 10,000 people and families from around the neighborhood and throughout Orange County explored the 56,100-square-foot plaza designed by Michael Maltzan, with its spectacular fountain entry, the grand spiral staircase that wraps around the new Center 360 outdoor café, leading from the Segerstrom Hall terrace to the plaza, shaded seating and dining areas, groves of trees for picnicking and permanent stages for year-round entertainment. The new plaza is named for Julianne and George Argyros, who provided funding for the transformation to the Center’s campus.
The Center for Dance and Innovation and Judy Morr Theater are now reached through a garden-like entrance at street level or from the Segerstrom Hall terrace by a sweeping circular ramp that encircles a fully- grown jacaranda tree and leads to a muraled outdoor terrace. The Center for Dance and Innovation is also home to the American Ballet Theatre William J. Gillespie School and the Center’s School of Dance and Music for Children with Disabilities.
Certain things in life I am very grateful for. These things include chocolate, wine, soul music and places like the Doheny Clothing Exchange in Capistrano Beach.
Picture this: racks and racks of men and women’s name brand or designer clothing and accessories, all gently used or sometimes new, at way, way less than the original price. And the beauty of it is I can bring in my own gently used clothing, and trade in for something different and better tting. The owners, mother and daughter team Pamela and Caia take the time to truly inspect each item and because they get new merchandise every day, their store stays fresh and new.
Personally, I love the fact that I can buy jeans here and I don’t have to spend the next few weeks trying to break them in. Plus, I can pick out a funky out t and know it’s not something everyone is wearing. That fact alone makes this place fabulous.
The Doheny Clothing Exchange is located at 34276 Doheny Park Road in Capistrano Beach
“The gypsy cri-i-i-ied…” Lou Christie – The Gypsy Cried
Was the voice you heard a high pitched female alto, a young man crying out in pain, a peacock in heat, or someone trying to imitate a female singer? None of the above! It was one of your favorite artists reaching a new voice level beyond his or her normal range. It was a way to offset the emphasis on bass singing by going beyond the tenor or baritone lead. It would be termed “falsetto.”
Falsetto is most often used in the context of singing to refer to a type of vocal tone that enables the singer to sing notes beyond the vocal range of the normal or modal voice. However, while most people sound comparatively “breathy” or “hooty” when using falsetto production, there are, in rarer cases, individuals who have a much stronger falsetto sound production which has more “ring” to it. Examples of that are Little Joe and the Thrillers song “Peanuts,” and the Paragons, “Florence.”
One of the first songs to transition from a strong bass to a high falsetto while still using a tenor was Dion and the Belmonts, “I Wonder Why.” It gave the music a young sound that sent the message of less maturity and even a pubescent sound that eventually one would expect to crack on the very next note. Dion would continue to utilize the falsetto in songs where he would provide the lead with the Belmonts including” “Where or When,” “That’s My Desire,” and “When You Wish upon a Star.”
While falsetto may be viewed as an “add-on” to many of the songs of the 1950’s and early 60’s, it also must be viewed as a tool that enhances and distinguishes an average song from a hit. Take for instance the song “You Cheated,” by the Shields. The elementary guitar opening and basic four chord progression belies the background falsetto that was added after the recording was completed. Songwriter and arranger Jesse Belvin had stopped by the studio to visit with the Shields and listened to their recording. He recommended a falsetto as background and anonymously overdubbed it himself. The producer and group agreed that it added a haunting value to the sound and combined the tracks, and the rest, as they say, is history.
The use of falsetto was not limited to rhythm and blues. Early Beach Boys songs from “Surfer Girl,” to “In My Room,” and “Fun, Fun, Fun” carried the high notes throughout the song. It would be Jan and Dean that would influence Brian Wilson and his brothers with “Surf City” and “Dead man’s Curve.” Dean Torrence originally perfected his use of falsetto with a nine member doo wop group from University High School in Los Angeles, called the Barons. He can still hit those notes today as the spokesperson for his “Surf City” residence, Huntington Beach.
Falsetto can be seen as primarily a technique that is used by lead singers or backup members for part or all of the song. Many times, the lead singer will sing as tenor for most of the song and then use the high false tenor to trail off at the end of the song or interject it throughout. Falsetto crosses both time and color boundaries throughout the doo-wop years. There are songs produced with double falsetto, spread throughout the song such as in “You Cheated” and used at the end with Norman Fox and the Rob Roys, “Tell Me Why.”
Both women and men are physically capable of using the falsetto register. Prior to research done by scientists in the 1950s and 1960s, it was widely believed that only men could produce falsetto. One possible explanation for this failure to recognize the female falsetto sooner is that, when men phonate in the falsetto register there is a much more pronounced change in timbre and dynamic level between the modal and falsetto registers, than there is in female voices. This is due in part to the difference in the length and mass of the vocal folds of the difference in frequency ranges. However, motion picture and video studies of laryngeal action has proven women can and do produce falsetto.
While scientific evidence has proven that women have a falsetto register, the issue of ‘female falsetto’ has been met with controversy among teachers of singing. Perhaps the quintessential female falsetto voice was Janet Vogel of the Skyliners. Her ability to reach above her normal alto range and pierce the stratosphere or shatter glass makes the falsetto unique and clearly sets her apart from others who may emulate the singer. Listen to both “Since I Don’t Have You.” The engineer was going to fade the song out as lead singer Jimmy Beaumont sang 13 ‘you’s’ at the end of the song. Janet thought that the tape was over and adlibbed an ending that was unbelievable. They all agreed that her falsetto would have to stay! In “This I Swear,” she hit the highest not ever hit, a high D above high C. Not too bad for a 16 year old with nothing but natural talent. As a side note, Jimmy Beaumont passed away in October of 2017 at the age of 76.
Many books on the art of singing completely ignore or gloss over the issue of female falsetto or insist that women do not have falsetto (Roederer, 2013). Artists argue that many young female singers substitute falsetto for the upper portion of the modal voice. Failure to recognize the female falsetto voice has led to the misidentification of young contraltos and mezzo-sopranos such as Vogel, making it easier for these lower voice types to sing in the soprano, using their falsetto register.
Frankie Valli would perfect the falsetto in “Sherry,” “Rag Doll,” and “Dawn,” along with many of his other hits. Still others, such as Roy Orbison could go four octaves and shatter glass with “Blue Angel,” and “Cryin.” Add Jay Siegel and the Tokens with “The Lion Sleeps Tonight,” and “He’s in Town,” plus Curtis Lee with “Pretty Little Angel Eyes,” and you get the idea.
At the risk of leaving out someone more deserving, the current king of falsetto must be Lou Christie. His is a pop-opera lyrical falsetto masterpiece in Twyla Herbert’s “The Gypsy Cried,” “Rhapsody in the Rain,” “Lightning Strikes,” “Two Faces Have I,” and a tension building “I’m Gonna Make You Mine,” finally relieved by his wailing falsetto chorus.
You can try it in the shower, or just listen to your favorite music from the 1950’s and early 60’s on 88.5 KSBR HD-2 or ksbr.org and I will take your requests at 949-582-5727. Livin’ the Dream!
Making Your Memories is a commentary on the music of the 1950’s and early 60’s. “Joe D” is an on-air talent for Orange County based KSBR FM 88.5 and is host of “MAKING YOUR MEMORIES” Sunday nights at 10PM. He is also author of “Making Your Memories with Rock & Roll and Doo Wop - -The Music and Artists of the 1950’s and early 60’s.” website: www.making-your-memories.com
Celebrate the arrival of 2018 in spectacular style with Salute to Vienna New Year’s Concert at Segerstrom Center for the Arts. You’ll be enchanted by the spirited romance of operetta, the glamour of ballroom dance and the delicate beauty of ballet. Inspired by the tradition of Vienna’s beloved New Year’s Concert, this frothy celebration blends acclaimed European singers and dancers with a full orchestra for a rich cultural experience that will leave you longing to join them on the dance floor.
Fall in love with a musical program that weaves highlights from The Merry Widow, Die Fledermaus, and The Gypsy Princess with energetic overtures, Strauss waltzes (of course including the Blue Danube), and polkas from Vienna’s Golden Age. This will be an all new Salute to Vienna New Year’s Concert, with a fresh cast and program. This holiday season, more than 50,000 concert-goers in 25 North American cities will discover the timeless pleasure of Vienna’s most beautiful music. Experience Salute to Vienna New Year’s Concert: a glorious champagne toast to life itself!
Single tickets start at $49 and are available online at SCFTA.org, at the Box Office at 600 Town Center Drive in Costa Mesa or by calling (714) 556-2787.